1. Meta 1960 Movies
2. Meta 1960 Chevrolet

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1. Meta-Wiki Welcome to Meta-Wiki, the global community site for the Wikimedia Foundation's projects and related projects, from coordination and documentation to planning and analysis. Other meta-focused wikis such as Wikimedia Outreach are specialized projects that have their roots in Meta-Wiki.
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English[edit]

Alternative forms[edit]

• met-(prevocalic)

Etymology 1[edit]

From Ancient Greekμετα-(meta-), from μετά(metá), from Mycenaean Greek𐀕𐀲(me-ta), possibly from Proto-Indo-European*meth₂(“in the middle”).

Pronunciation[edit]

• IPA^(key): /mɛ.tə/

Prefix[edit]

meta-

1. (anatomy and zoology)Behind[From 19th century]
2. (botany and zoology)Later or subsequent[From 19th century]
3. (obsolete,architecture and zoology) Situated between two segments [From 19th century]
4. (chemistry) Having fewermolecules of water than the ortho- equivalent [From 19th century]
5. (organic chemistry) in isomericbenzenederivatives, having the two substituents in alternate (1,3) positions; contrasted with ortho- and para-[From 1833]
6. (biochemistry) Relating to metabolism

Translations[edit]

Etymology 2[edit]

Back-formation from metaphysics.

Prefix[edit]

meta-

1. Transcending, encompassing
2. Pertaining to a level above or beyond; reflexive; about itself or about other things of the same type. For example, metadata is data that describes data, metalanguage is language that describes language, etc. [From 17th century]
3. Having analogies with metaphysics.

Related terms[edit]

Meta 1960 Movies

Translations[edit]

Etymology 3[edit]

Back-formation from metamorphism.

Prefix[edit]

meta-

1. (geology) Analogies and derivatives of metamorphism[From 19th century]

Translations[edit]

Etymology 4[edit]

Back-formation from metastasis.

Prefix[edit]

meta-

1. (pathology)Consequent on.

Translations[edit]

Derived terms[edit]

Further reading[edit]

• List of Ancient Greek words starting with meta-, on Perseus

Anagrams[edit]

• AEMT, ATEM, Atem, Tame, Team, Tema, mate, maté, meat, tame, team

Czech[edit]

Etymology[edit]

From Ancient Greekμετα-(meta-).

Prefix[edit]

meta-

1. meta-(pertaining to a level above or beyond)

   ‎meta- + ‎jazyk → ‎metajazyk

Derived terms[edit]

Further reading[edit]

• meta- in Slovník spisovného jazyka českého, 1960–1971, 1989
• meta- in Slovník afixů užívaných v češtině, 2017

German[edit]

Alternative forms[edit]

• met-(prevocalic)

Etymology[edit]

From Ancient Greekμετα-(meta-).

Pronunciation[edit]

• IPA^(key): /ˈmeta/, /ˈmɛta/

• Audio

Prefix[edit]

meta-

Derived terms[edit]

Further reading[edit]

• meta- in Duden online

Hungarian[edit]

Etymology[edit]

From Ancient Greekμετα-(meta-).^[1]

Pronunciation[edit]

Meta 1960 Chevrolet

• IPA^(key): [ ˈmɛtɒ]
• Hyphenation: me‧ta

Prefix[edit]

meta-

Derived terms[edit]

References[edit]

1. ^ Tótfalusi, István. Idegenszó-tár: Idegen szavak értelmező és etimológiai szótára (’A Storehouse of Foreign Words: an explanatory and etymological dictionary of foreign words’). Budapest: Tinta Könyvkiadó, 2005. →ISBN

Italian[edit]

Pronunciation[edit]

• IPA^(key): /ˈmɛ.ta/

Prefix[edit]

meta-

Derived terms[edit]

Spanish[edit]

Etymology[edit]

From Ancient Greekμετά(metá).

Prefix[edit]

meta-

Derived terms[edit]

Metacinema, also meta-cinema, analogous to metafiction in literature, is a mode of filmmaking in which the film informs the audience that they are watching a work of fiction. Metacinema often references its own production, working against narrative conventions that aim to maintain the audience's suspension of disbelief.^[1] Elements of metacinema includes scenes where characters discuss the making of the film or where production equipment and facilities are shown.

History[edit]

Examples of metacinema date back to the early days of narrative filmmaking. In the 1940s, backstage musicals and comedies like Road to Singapore (Victor Schertzinger, 1940) and Hellzapoppin' (H. https://prodownload.mystrikingly.com/blog/siberian-tiger-slots. C. Potter, 1941) exhibited a vogue for exploration of the medium of film at the same time as the monopolistic grip of Hollywood studios was loosening allowed more space for creative self-examination.^[2] Metacinema can be identified in art cinema of the 1960s like 8½ (Federico Fellini, 1963) or The Passion of Anna (Ingmar Bergman, 1969), and it can often be found in the self-reflexive filmmaking of the Nouvelle Vague in films like Le Mépris (Jean-Luc Godard, 1963) and Day for Night (François Truffaut, 1973).^[3]

Metacinema continues to flourish in art films and comedies where experimentation with narrative conventions is encouraged.^[4]

Examples[edit]

Notable examples of films of this type include (in chronological order):

• Man with a Movie Camera (Dziga Vertov, 1929)
• Gabriel Over the White House (Gregory La Cava, 1933)
• Road to Singapore (Victor Schertzinger, 1940)
• Hellzapoppin' (H. C. Potter, 1941)
• Odd Man Out (Carol Reed, 1947)
• Son of Paleface (Frank Tashlin, 1952)
• Pardners (Norman Taurog, 1956)
• Peeping Tom (Michael Powell, 1960)
• La Jetee (Chris Marker, 1963)
• 8½ (Federico Fellini, 1963)
• Le Mépris (Jean-Luc Godard, 1963)
• Trans-Europ-Express (Alain Robbe-Grillet, 1966)
• I Am Curious (Yellow) (Vilgot Sjöman, 1967)
• La Chinoise (Jean-Luc Godard, 1967)
• I Am Curious (Blue) (Vilgot Sjöman, 1968)
• The Passion of Anna (Ingmar Bergman, 1969)
• A Clockwork Orange (Stanley Kubrick, 1971)
• Jesus Christ Superstar (Norman Jewison, 1973)
• Day for Night (François Truffaut, 1973)
• The Holy Mountain (Alejandro Jodorowsky, 1973)
• Blazing Saddles (Mel Brooks, 1974)
• Monty Python and the Holy Grail (Terry Gilliam and Terry Jones, 1975)
• The Muppet Movie (James Frawley, 1979)
• The French Lieutenant's Woman (Karel Reisz, 1981)
• Halloween III: Season of the Witch (Tommy Lee Wallace, 1982)
• Ferris Bueller's Day Off (John Hughes, 1986)
• Spaceballs (Mel Brooks, 1987)
• Epidemic (Lars von Trier, 1987)
• Close-Up (Abbas Kiarostami, 1990)
• Wayne's World (Penelope Spheeris, 1992)
• The Player (Robert Altman, 1992)
• Last Action Hero (John McTiernan, 1993)
• Wes Craven's New Nightmare (Wes Craven, 1994)
• Get Shorty (Barry Sonnenfeld, 1995)
• Living in Oblivion (Tom DiCillo, 1995)
• Irma Vep (Olivier Assayas, 1996)
• Funny Games (Michael Haneke, 1997)
• Bowfinger (Frank Oz, 1999)
• Being John Malkovich (Spike Jonze, 1999)
• Fight Club (David Fincher, 1999)
• Galaxy Quest (Dean Parisot, 1999)
• The Adventures of Rocky and Bullwinkle (Des McAnuff, 2000)
• Scream 3 (Wes Craven, 2000)
• Book of Shadows: Blair Witch 2 (Joe Berlinger, 2000)
• Shadow of the Vampire (E. Elias Merhige, 2000)
• Mulholland Drive (David Lynch, 2001)
• Adaptation (Spike Jonze, 2002)
• American Splendor (Shari Springer Berman, Robert Pulcini, 2003)
• Seed of Chucky (Don Mancini, 2004)
• Kiss Kiss Bang Bang (Shane Black, 2005)
• A Cock and Bull Story (Michael Winterbottom, 2006)
• Behind the Mask: The Rise of Leslie Vernon (Scott Glosserman, 2006)
• Stranger Than Fiction (Marc Forster, 2006)
• On The Road With Judas (J.J. Lask, 2007)
• Funny Games (Michael Haneke, 2007)
• Synecdoche, New York (Charlie Kaufman, 2008)
• Tropic Thunder (Ben Stiller, 2008)
• Be Kind Rewind (Michel Gondry, 2008)
• Nine (Rob Marshall, 2009)
• Rubber (Quentin Dupieux, 2010)
• The Artist (Michel Hazanavicius, 2011)
• The Human Centipede 2 (Full Sequence) (Tom Six, 2011)
• The Strawberry Tree (Simone Rapisarda Casanova, 2011)
• The Cabin in the Woods (Drew Goddard, 2012)
• Seven Psychopaths (Martin McDonagh, 2012)
• Holy Motors (Leos Carax, 2012)
• Get a Horse! (2013)
• The Dirties (Matt Johnson, 2013)
• This Is the End (Seth Rogen and Evan Goldberg, 2013)
• Birdman: Or (The Unexpected Virtue of Ignorance) (Alejandro González Iñárritu, 2014)
• Jersey Boys (Clint Eastwood, 2014)
• The Creation of Meaning (Simone Rapisarda Casanova, 2014)
• Kathai Thiraikathai Vasanam Iyakkam (R. Parthiepan, 2014)
• Joe Dirt 2: Beautiful Loser (Fred Wolf, 2015)
• The Big Short (Adam McKay, 2015)
• Taxi (Jafar Panahi, 2015)
• Be My Cat: A Film for Anne (Adrian Țofei, 2015)
• Deadpool (Tim Miller, 2016)
• Amityville: The Awakening (Franck Khalfoun, 2017)
• A Midsummer Night's Dream (Casey Wilder Mott, 2017)
• ‘’Super deluxe (2019) ’’ (Thiagarajan Kumararaja,2019)

References[edit]

1. ^Ames, Christopher. Movies About the Movies. p. 15
2. ^Ames, Christopher. Movies About the Movies. p. 41, 56
3. ^Stam, Robert. Reflexivity in Film and Literature.
4. ^Seidman, Steven. Comedian Comedy: A Tradition in Hollywood Film.